Sophie H.

Coordination de l’ensemble des opérations de production et mise en œuvre de ces opérations (interface équipe projet/différents pôles, gestion du rétroplanning, animation des réunions, budgétisation, contractualisation et coordination de production en lien avec 70 artistes) dans le cadre de l’exposition Copistes, sous le commissariat de Chiara Parisi, en collaboration exceptionnelle avec Le musée du Louvre.

Titled The Museum of Things Unseen, the Lagos Biennial 2026 offers a speculative response to these questions. This conceptual museum brings together a collection of works to address the contextual, philosophical, and political forces that shape practices of cultural circulations and museology. The Museum of Things Unseen aims to bring together and exhibit rarely or never before seen artworks, examining the factors (imbalanced global art canon shaped by cultural bias, financial power, political influence, curatorial priorities, and conservation concerns, etc.) contributing to their unseenness. The intention is to open up the current bounding structures of these artworks, and inquire into the invisible labour, evolving identities, and concealed market forces shaping our cultural landscape. Contemporary artists will be invited to reinterpret and reimagine the works on display, questioning the invisibility of these works, rewriting the narratives within the context of a speculative museum, and offering new perspectives that illuminate the unseen dimensions of these pieces. In addition to this speculative, open and dynamic inquiry into cultural objects and flows, the 5th edition of the Lagos Biennial marks the inauguration of the Àkéte Collection, a diverse array of art objects from across the world and a pioneering public international art collection in Africa. The Àkéte Collection will critically examine the universal art canon, collecting works through donations and loans from museums, foundations, and private collections worldwide to ensure unprecedented physical access to these pieces.

Gestion administrative du studio et de la production dans le cadre de l'exposition Signal au Palais de Tokyo. Coordination de la Carte Blanche de Mohamed Bourouissa aux Journées Internationales du Film sur l'Art (JIFA) 2024 du musée du Louvre, de sa résidence au Jardin des Tuileries - musée du Louvre, ainsi que de la production des oeuvres.